Today I had the chance to rewatch John Carpenter’s The Thing. It’s been several years since I’ve seen the movie and I was pleasantly surprised how well it still holds up. I know there are a great many people out there who hold The Thing to be the pinnacle of sci-fi horror movies. There are certainly plenty of reasons for someone to think that, and I won’t argue. Though I don’t think it is my personal favorite, it certainly is a quality flick. One comment I regularly hear that I have a small problem with however is that John Carpenter’s The Thing is far superior to the original. I’ve read that folks don’t believe it should even be called a remake, and that the 1982 version is such a completely different, better type of movie that the two are incomparable. As much as I have to admit that the newer movie is a much scarier movie with truly superior effects I think there are really far more similarities between them then most people want to admit. This is not at all to detract from Carpenter’s movie, in fact if anything it should add to his praises for such a boffo adaptation! John Carpenter’s The Thing should really be a guide for making any type of “reboot” especially in this day and age when it seems every movie is a remake. (And there is actually a remake of this movie coming out this year some time . . . )
Both of these movies were a part of my childhood in different ways. My dad is older than most dads in my age range, and as such always watched the classic movie channels. Turner Classic Movies seemed to constantly be on one TV or another in my house growing up. The original 1951 The Thing From Another World also just happens to be one of my father’s favorite horror movies and since it was one of the few horror movies to be regularly shown on TCM I was exposed to that movie on a regular basis. Of course what youth doesn’t rebel somewhat against their elders? Though my parents loved TCM I was not a fan as a kid. I turned my sights to basic cable and the wonders of the late night movie. By the time I was old enough to be sneaking downstairs to watch late night TV John Carpenter’s The Thing was hitting the airwaves of basic cable and even that edited for TV version was enough to make me piss a little. Needless to say it left an impression, and brought to mind the phrase “This isn’t your fathers Thing.” (Which is just creepy when you read it.)
Before going into the similarities of the 1951 and 1982 versions let me state one difference I really enjoy about the movies. The beginning. At the start of the original movie the arctic base camp investigates and subsequently discovers the crashed UFO and the frozen space man. That scene is one of the most iconic and chilling of old school horror. The music along with the camera pulling up to reveal all the men standing at arms length forming the perimeter of the massive ship encased under the ice still has an impact. Thinking about how movies were made back in the fifties it even adds something more to the effect of the shot when you wonder where and how they actually got that shot of that icy plain and the huge dark disc embedded within it. They of course take photos, then cut around the frozen alien and haul the block back to base where it thaws and mayhem ensues.
That type of beginning really works for the time period. However I really like the first few scenes of Carpenter’s version. It opens with a helicopter flying over the snow as a gunner onboard tries to shoot a running husky down below. Already you know something is wrong. The copter pursues this seemingly innocent animal across the snow until they reach an American research base at which point the helicopter lands and the gunner in a frenzy continues to try and kill the dog. Grenades are tossed, bullets are fired, the new arrival’s helicopter is blown up, and the American research team doesn’t know what the hell is going on. Already they are in the middle of the mayhem, they just don’t know it yet. I always like those types of stories. Of course it all becomes clear later when they travel to the neighboring base where they find everyone dead and records full of exposition relating the modern details of this alien reimagining.
Now onto the heart of this tirade! Why you should love both versions of The Thing, and perhaps appreciate even more the work of Carpenter’s Thing.
An obvious one. Both movies are set in the Antarctic in a U.S. scientific base. This is an important element because this means that the characters are not only fighting some creature, they’re fighting the elements as well. A small group, fending for themselves, in the most secluded place on earth. I can’t think of anything more terrifying.
-Suspense Is Key
Though both versions of the movie have their scary moments, what really draws you in is the suspense, an element both films make use of almost as soon as the movies start. In the original the main driving force for the suspense are the teams hand-held Geiger Counters which they use to track the alien through the base. Because of the time period the alien is obliged to be radioactive, and the gradually quickening pings of the Geiger Counters warn the men when the beast is approaching. This makes for some great moments as one of the men stares transfixed on the flashing screen while the others tensely check their surroundings waiting for the monster to come crashing through the wall at any moment. The ’82 version masterfully twists this intense suspense and mixes it with suspicion when they discover that their Thing can get inside of other living creatures, imitating and absorbing them devouring them on a cellular level. This creates fear among the men as they realize that some of them are not who they appear to be.
Both movies have one wacky scientist who thinks he’s so much smarter than everyone else and thinks he has all the answers if everyone else would just shut up and listen to him! In the original that scientist is Dr. Carrington played by the eerie Robert Cornthwaite, who could be Dr. Quest’s evil twin. In the remake the “mad scientist” is Dr. Blaire, played by the one and only Wilford Brimley. 1951 – Carrington thinks he can reason with the alien, it is an intelligent being from a highly advanced society surely it will be open to rational discussion. He is wrong, The Thing kills him. 1982 – Dr. Blaire realizes fairly quickly that this alien is a high risk to not only their safety but the security of the entire world. In an attempt to isolate it Blaire tries to destroy all the radio equipment and their various modes of transportation. He is right. Unfortunately everyone else just thinks he’s lost it and attempts to stops him. The first movie was telling us not to listen to those God hating, free thinking, science commies. The other was saying, maybe we should have listened to the scientist, before it was too late. Very topical for their times.
-Creative Aliens in Cinema
The two Things are quite different in each movie but they are both quite groundbreaking for their time. In 1951 any alien in a movie that wasn’t a martian or some kind of lizard was pretty unique. This alien evolved from plants and sought blood for its nutrients, a sensational idea at the time I’m sure. Though they don’t go into great detail about the Carpenter alien, there wasn’t any need to, it just sort of spoke for itself. That Thing was an effects masterpiece that tore into, digested, gored, and ripped its way across the screen and was groundbreaking in its style.
Kurt Russell was just great in the 1982 movie, and it made me think about how many awesome movies he has been in. Does he intentionally pick cool, sci-fi, movie geek roles? Or has he just been typecast into those parts? Either way I’m not complaining. The ’51 version starred Kenneth Tobey an all-american military hero type who smoked cigarettes, barked orders, and killed ugly alien bastards. Both guys are badasses, though Kurt Russel is more of the Wolverine badass while Tobey was more of the Captain America badass.
Kill all the scientists and military researchers you want, but when you kill an animal that’s when it really hits home with the audience. Both movies feature, pretty early on, some dogs getting eaten by hungry aliens.
Both versions make it clear that this particular brand of alien has no weakness for cold, it can stay frozen for thousands of years if need be. So if you want to kill The Thing, you’d better have some high voltage wires or a couple of flame throwers. This also creates a great dynamic between the setting and the action. There are several scenes in both movies where you have someone engulfed in flames stumbling through the blizzard conditions of an Antarctic storm.
Both movies have unique endings that leave the viewer with something to think about in terms of whether the threat is really over or not. In the original we are left with the now famous line “Watch the skies!” which is modern sci-fi legend. In the ’82 version we are left with an uneasy feeling due to the ambiguous nature of that films end. The final scenes of both Things leave the audience with some lingering questions and a few worries.
So I guess what this has all been about is just me trying to tell you to love all Things equally. The 1951 The Thing From Another World and the 1982 The Thing have equal merits for different eras of filmmaking. John Carpenter clearly has a love for the original movie, as well as the original book “Who Goes There?” which both are based on. It is said that Carpenter based his take more on the book, than the movie however. I agree that John Carpenter really did a stellar job adapting the movie, and it isn’t simply some knock off attempt. I just hope that some of you also go back and take another look at the old The Thing and try to appreciate it for what it was at the time, and not simply as some old horror movie with bad special effects! Oh and if this new remake/reboot/whatever is any good than perhaps I’ll have another post about it as well.